Yet another All Hallow’s Eve has come and gone. I hope you enjoyed this year’s run of diabolical dread and devilish distress. This year we revisited some old favorites, conjured up some new scares, and assailed our ears with terrifying…
Four years after the bombing of Pearl Harbor and four months after the bombing of Hiroshima, the Universal monster movies gasped their last as literary monsters gave way to monsters of the atomic age. The plot itself is a Frankenstein creation, cobbled together from bits and pieces of previous Universal monster movies for one last cash grab. That doesn’t mean it lacks any kind of enjoyable charm.
Arguably the best of the monster mash-ups. It begins with the awakening of presumed-dead wolf man, Larry Talbot, and follows him to a London asylum, from whence he then travels across Europe to the fictional town of Vasalia (which has inexplicably become Frankenstein’s home) to find a cure for his lycanthropy.
After a strong and memorable performance as the now iconic Ygor in the previous Frankenstein film, Bela Lugosi returns to wreak havoc once more, this time coaxing his new best friend, the monster, from the village of Frankenstein to the neighboring village of Vasaria, where yet another son of Frankenstein lives.